The Expression of Antelami and the Unknown

The Expression of Antelami and the Unknown

The fall of the Roman Empire triggered a sudden transition with sculptures pertaining to the Romanesque period. The use of the stone medium became most prominent along with the architectural advancements in style and construction. Considering the immense amount of relief sculptures on tympanums and column capitals, the implication of religion became an essential aspect. Similar to the Byzantine Empire, the Romanesque period consisted of art and architecture dedicated to religion, specifically Christianity, with its illuminated manuscripts and vast production of cathedrals and churches. The sculptures differ within region, as well as its architecture.
As one delves into Italian art, one can discover an invigoration with stone sculpture in particular. Benedetto Antelami, a leading architect and sculptor of Italy, constructed hand made figures out of stone mostly on the portals of baptisteries. Yet his most astonishing works were of two Old Testament figures made out of marble. One of which is King David, the youngest son of Jesse who was chosen by God and eventually became Israel’s second king. It was created approximately around 1180 to 1190. This statue of marble sits prominently bedridden within a niche of the west façade of Fidenza Cathedral. His body seems almost introverted with his elbows and arms close to his sides as he holds a delicate scroll. As his crown sits on the head, he stands upward with his head turned to the left. The rather classical, rigid figure has an unmoving sense to it almost stiff. This in situ statue has the proportions of a human being, making it life size. As one of the greatest kings of Israel, David was known for his music and poetry, including the writings of Psalms in the Book of Psalms. Reformation of national institutions and reorganization of the country’s army were some of the great accomplishments noted in the Old Testament. Yet he being a prophet and the Messiah being his descendant was of higher significance. The statue...

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