The Son of Man

The Son of Man

The Son of Man, 1964 is synonymous with Rene Magritte. That image of a man with a bowler-hat has become part of society's psyche. It has been used in commercial advertisement in various forms. And it also played a part in the motion picture The Thomas Crown Affair (1999)
When you look at any painting, it's important to keep in mind that everything is positioned where it is for a reason. The artist had a reason for it all. Ask yourself what is the meaning of each artistic element in the artwork. The man in the painting is very staid, very "stiff-upper-lip". His arms are straight down by his sides. Why is his bottom button unbuttoned yet the top two are buttoned? He's looking straight forward with a blank stare; at least it appears that way from his left eye that you can see peaking around behind the apple. Notice that it is a green apple, not a red apple. How is the apple staying were it is? Is the main biting the apple? Is it merely floating? He's standing beside a wall that overlooks a body of water (blue water typically symbolizes the subconscious); what body of water is that, is it an ocean, a lake, a pond? Notice the gray clouds; is a storm forming? And look at the wall again; notice the lines on the top of the bricks that project away from you; continue both those lines and you will see that they intersect just above the top button, just at the level of the man's heart. Do you think that is an accident? Magritte planned it that way. Look at his right hand and at his left hand; the right hand is in front while the left hand is slightly behind. But look closer at the left arm at the elbow; that's a bulge; his left arm is on backwards, we are looking at the backside of a right arm! Take your hand and cover everthing except what appears to be the man's left arm; look at it and you'll see that it appears that you are now looking at the man from behind and what you see is his right arm from behind. That's surreal. That's Magritte.
About the painting The Son of...

Similar Essays