Antigone first demonstrates feminist logic when she chooses to challenge a powerful male establishment. This establishment is personified by her uncle Creon, who is newly crowned as the King of Thebes. Creon poses to be a major authority figure in a patriarchal society. Creon's regard for the laws of the city causes him to abandon all other beliefs. He feels that all should obey the laws set forth by him, even if other beliefs, moral or religious, state otherwise. Antigone, on the other hand, holds the beliefs of the gods in high reverence. She feels that the laws of the gods should be obeyed above all others, especially when in respect to family. Antigone herself represents the highest ideals of human life -courage and respect for the gods. She believed that the law of the gods, which dictates that a body be given proper burial rights, was more important than the law of the King. Throughout the play, Antigone amazingly retains the traditional role of women, while at the same time boldly challenges this depiction. The challenge occurs as both a defiance of Creon's laws in Antigone's burying Polynices and as a direct verbal assault on Creon himself. Princess Antigone comes across an instance in which her brother is being denied his religious rights as a Theban to a below ground burial. Antigone's staunch opinion is one that supports the Gods and the laws of heaven. Her reasoning is set by her belief that if someone is not given a proper burial, that person would not be accepted into heaven. Antigone was a very religious person, and acceptance of her brother by the Gods was very important to her. She felt that "It is against you and me he has made this order. Yes, against me." Creon's order was personal to Antigone. His edict invaded her family life as well as the Gods'. An important ideal in Ancient Greece was the belief that the government was to have no control in matters concerning religious beliefs. In Antigone's eyes, Creon betrayed that ideal by not allowing...