HUM 150 Entire Course
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HUM 150 Week 1 DQ 1
HUM 150 Week 1 DQ 2
HUM 150 Week 1 DQ 3
HUM 150 Week 1 DQ 4
HUM 150 Week 1 Summary
HUM 150 Week 1 Assignment Film Viewer Opinion Paper
HUM 150 Week 2 DQ 1
HUM 150 Week 2 DQ 2
HUM 150 Week 2 DQ 3
HUM 150 Week 2 DQ 4
HUM 150 Week 2 DQ 5
HUM 150 Week 2 Summary
HUM 150 Week 2 Assignment Editing, Sound, and Music Worksheet
HUM 150 Week 3 DQ 1
HUM 150 Week 3 DQ 2
HUM 150 Week 3 DQ 3
HUM 150 Week 3 DQ 4
HUM 150 Week 3 DQ 5
HUM 150 Week 3 Summary
HUM 150 Week 3 Learning Team Assignment Film Matrix Comedy and Horror Presentation
HUM 150 Week 4 DQ 1
HUM 150 Week 4 DQ 2
HUM 150 Week 4 DQ 3
HUM 150 Week 4 DQ 4
HUM 150 Week 4 DQ 5
HUM 150 Week 4 Summary
HUM 150 Week 4 Learning Team Assignment Film Matrix Romance, Western, and Documentary
HUM 150 Week 5 DQ 1
HUM 150 Week 5 DQ 2
HUM 150 Week 5 DQ 3
HUM 150 Week 5 Assignment Movie Critic
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HUM 150 Week 3 DQ 2
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Coordinating your responses here with DQ 1, consider the story you wish to tell. Stories require conflict, or at least a lot of tension, in order to generate interest. So, first, what’s the conflict in your story and how are you plotting it out?
Also, movies, like plays and TV but unlike books, must use what’s called the “objective point-of-view” because they cannot show directly what characters are thinking and feeling. They are limited to showing the exterior of characters in ways that reflect what’s going on internally. And they do so in compact units called “scenes” made up of action, mannerisms, and dialogue. So who would be your characters? Why? How would you have them act in what sort of scenes? Why? What is your dialogue trying to accomplish? Why?
And what would you suggest to others...